A little about the pension




When you look out the window, there's a great view of not only the streetscape, but yet another Gaudi-esque church across the road. I'm also stunned by just how sound-proof this room is, once the balcony doors are shut - Barcelona's a noisy damn city at all hours, but these shutters almost make me feel like I'm in the country.

Still, on our third and last night here, I've grown fond of this quirky little place whose rear verandah overlooks those of about a dozen neighbours, most in better condition. If every block is like this, then all blocks of apartments are arranged around a central square, which the back balconys overlook. This is actually the roof of the commercial premises on the ground floor and often has the gardens for the apartment blocks. Tonight, Thursday evening, many of the occupants are out on the balconys chatting, playing music and drinking - it has a very social atmosphere which I like a lot.

On the run we went past the Sagrada Familia, the church Gaudi worked on for the last 40 years of his life and is still under construction. It's a magnificent piece of work, even in its current state and looms much larger than these photos convey. In typical cost-cutting moves, Catalonia's government have used an inferior stone since the death of the great architect, and the separation is plainly visible. There were tons of tourists around today, it was bloody hot, even at 10am and we're pretty sore from about 12 hours of walking yesterday.




However the temporary exhibit, featuring the work of his close friend and pictorial biographer, Lee Miller was just fantastic. Lee Miller was a famous model and even more famous photographer, one gutsy enough to be both a fashion photographer for Vogue and a leading war correspondent, one of the first to enter the fallen concentration camps and record the remains of the atrocities there.
She was married to Roland Penrose, Picasso's friend and most prolific biographer, a man so obsessed with Picasso and his work that Miller described herself as a 'Picasso Widow'.
The work on display is a collection of both published and private images taken not just by her, but of her working with Picasso. Her work is vibrant and extremely personal.
However the capstone of the exhibit is a series of portraits of Miller done by Picasso in his famous style. This entire exhibit opened up Picasso for me in a way I didn't expect. These previously unreal renderings, when compared to both images of Miller and the writings on her vibrant nature, suddenly make sense and have given me new eyes to appreciate his work.
Situated in an old mansion, with foundations dating back to the 14th century, the museum is, like every other part of Barcelona, hidden in some back alley, surrounded by apartment blocks. If you peek through the drawn blinds inside the museum, you'll likely see someone's washing hung out to dry on a balcony. And this is somehow very appropriate.
The movie here captures a short recording of a really cool duo just outside the museum.
We wandered around for the rest of the day, but now we're both tired and looking forward to getting to Sevilla. We leave at 5.30am tomorrow.
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